Essay:
“The Making of Marble House Girls” (Indiana Review, winter 2018)
Author Interviews:
Caitlin Horrocks (Arkansas International online, 2019)
Farah Ali (Arkansas International online, 2018)
Alison Hawthorne Deming (Arkansas International online video interview, 2018)
Jeannie Vanasco (Arkansas International online, 2018)
Jenn Shapland (Arkansas International online, 2017)
Book Reviews:
(all for Arkansas International online)
Camellia Street (Mercè Rodoreda, translated by David H. Rosenthal, Open Letter Books)
Wild Milk (Sabrina Orah Mark, Dorothy, A Publishing Project)
The Taiga Syndrome (Cristina Rivera Garza, translated by Suzanne Jill Levine and Aviva Kana, Dorothy, A Publishing Project)
Eleanor, or, The Rejection of the Progress of Love (Anna Moschovakis, Coffee House Press)
Idiophone (Amy Fusselman, Coffee House Press)
The End of Peril, the End of Enmity, the End of Strife, a Haven (Thirii Myo Kyaw Myint, Noemi Press)
Tomb Song (Julián Herbert, translated by Christina MacSweeney, Graywolf Press)
Red Winter (Anneli Furmark, translated by Hanna Strömberg, Drawn & Quarterly)
Mycology (Joan Wilking, Curbside Splendor)
Houses of Ravicka (Renee Gladman, Dorothy, A Publishing Project)
Her Body and Other Parties (Carmen Maria Machado, Graywolf Press)
Vengeance Is Mine, All Others Pay Cash (Eka Kurniawan, translated by Annie Tucker, New Directions)
Seeing People Off (Jana Beňová, translated by Janet Livingstone, Two Dollar Radio)
Atlantic Hotel (João Gilberto Noll, translated by Adam Morris, Two Lines Press)
Animals Strike Curious Poses (Elena Passarello, Sarabande Books)
Blood of the Dawn (Claudia Salazar Jiménez, translated by Elizabeth Bryer, Deep Vellum Publishing)
The Babysitter at Rest (Jen George, Dorothy, A Publishing Project)